exclusively presents Maarten De Jong with his Special Own Production Set! aims to entertain and inspire electronic beat lovers and make music a part of
their lives again in times of worldwide concert and club lockdown. To this end, DJs provide
exclusive sets, DJ workshops, tutorials, meet-and-greets and other unique content for the new
platform, which fans can watch as often as they like for 3.99 euros during the first two weeks after

On April 30, a very special piece of music awaits us exclusively on Maarten
De Jong will release a special own production set and present his huge repertoire of beats.

In 2007 he started his solo career under the pseudonym “Maarten de Jong”. His first release
brought him directly the support of worldwide renowned DJ’s. Subsequently, icons such as Tiësto,
Armin van Buuren and Sander Van Doorn offered their support. What more could you expect at the
start of his solo career? But even that was topped when “Mono”, the first number on Sander van
Doorn’s label placed at #1 on the Beatport charts. His highly acclaimed studio skills subsequently
led to some highly acclaimed releases, such as a remix for Armin Van Buuren’s “Last Stop Before
Heaven” or even a collaboration with Max Graham titled “Lekker”.

When he then released “Goodbye” in 2018, he had finally convinced Armin Van Buurens and his
team of himself and his sound. He then released “Caffeine” with Allen Watts on the famous “Who’s
Afraid of 138″ label. With a remix to Corti Organ’s “The Joker” he dominated dance floors and DJ
playlists worldwide for a long time. Meanwhile Maarten De Jong releases one hit after another
mostly on Armada Music and is in demand in clubs all over the world.

Maarten De Jong’s exclusive production set will be available exclusively for 3.99 Euros on from April 30, 2021. is initiated by Woody von Eyden, the Dutch DJ icon who has been DJing at all
major festivals and the most important clubs worldwide for over 30 years, runs his own label and
manages artists. The special thing for the DJs is that they share in the revenues from the streams

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