Explore the production techniques behind Tavo Man’s ‘Tikini,’ a genre-blending track that fuses Garifuna heritage with modern Afrobeat and club production.
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Universal Audio Builds Enigmatic ’82 Around Four Amp Eras
Universal Audio has introduced the Enigmatic ’82 Overdrive Special Amp, a native plugin that captures the legendary ‘D-style’ circuit with unprecedented flexibility.
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Benny Benassi Unveils New Album ‘Feel The Bass’, First Full-Length in Ten Years
Electronic music icon Benny Benassi returns with his first full-length studio album in a decade, ‘Feel The Bass’, featuring a star-studded lineup of collaborators.
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RX 12 Brings Faster Audio Repair and Expanded Stem Editing
iZotope has released RX 12, introducing advanced stem separation and workflow enhancements to its industry-standard audio repair platform.
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Mima, ISAEV & TYMMA Deliver Uplifting Dance Anthem ‘ARMOUR’
Mima, ISAEV, and TYMMA join forces for ‘ARMOUR,’ a vibrant, 90s-inspired dance anthem that blends euphoric melodies with a message of resilience.
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Estiva on Social Capital, Smaller Shows, and the New “Noo Tacchi” Release
Estiva discusses the evolution of his sound, the realities of the modern touring industry, and his latest release, ‘Noo Tacchi’.
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Charlotte de Witte Releases New EP ‘Amor’ on KNTXT
Techno powerhouse Charlotte de Witte returns with her deeply personal three-track EP, ‘Amor,’ featuring Brazilian artist CERES.
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Erica Synths Bullfrog Drums Pairs Factory Samples With User Sample Banks
Erica Synths expands its educational Bullfrog line with a new, hands-on drum machine designed for intuitive sequencing and sampling.
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The Trilogy Is Complete: Deep Dish Return to Global Underground with #GU49 Dublin
Grammy-winning duo Deep Dish reunite with Global Underground for the release of #GU49 Dublin, marking a historic return to the iconic mix series.
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DROZIA Unveils Hypnotic Late-Night Weapon ‘Click It 5AM’
Emerging electronic artist DROZIA returns with a compelling new release, ‘Click It 5AM,’ a deep, hypnotic cut designed for the late-night dancefloor.
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