The weather may be getting colder, but the underground continues to heat up. This week’s roundup features Caribbean-inspired d&b, pure house music joy, vulnerable country pop, and so much more. Let’s get into the list!
Neurolapse
Following the success of “I See Through You Now” and “No Crown No Kingdom”, rising producer Neurolapse returns with “Am I Wrong?”, his most emotionally charged and sonically sculpted release to date. Built on a hypnotic low-end pulse and cinematic melodic layers, the track expertly walks that rare line between introspection and dancefloor electricity.
Already resonating across SoundCloud and DJ sets from London to Berlin, “Am I Wrong?” distills Neurolapse’s approach to storytelling through sound: deep, progressive, and charged with feeling. It’s music for the moments when emotion and escape collide.
“I’ve always been driven by the idea that a song can both move you and make you move,” he says. That philosophy runs through every frequency here, with the goosebump textures, the lyrical ache, the sense of motion through shadow on full display. With “Am I Wrong?”, Neurolapse proves that emotion, when amplified, can still fill a club. If you’re a fan of melodic trance, definitely check this one out.
G-Sinnz
Tottenham-born producer and label head G-Sinnz is back with “Conqueror”, a fierce, club-ready fusion of drum & bass precision and Caribbean dancehall swagger. Produced by quimiobb and executively guided by G-Sinnz himself, the track is built for high-voltage, fast-paced sets: a statement of rhythm, resilience, and dancefloor control.
Through his label Caricom Music, G-Sinnz continues to reimagine Caribbean-rooted sound in a global context, bridging the pulse of Soca, Reggaeton, and DnB into something unmistakably his own. It’s an evolution born from both heritage and hustle, and something unlike anything we’ve come across.
From his early days at the piano in North London to collaborations with heavyweights like Alison Hinds, Precision Productions, and Darryl Gervais, G-Sinnz has turned cultural identity into kinetic motion. “Conqueror” embodies that mission: a track that gets people moving and celebrates legacy. If you’re a fan of drum & bass and want to hear something truly new, check this track out.
Jason Busteed
Acclaimed Cork-based producer Jason Busteed released “Paradise” today, a radiant, hands-in-the-air celebration of house music’s enduring heartbeat. Released via his label Lefty Shades Records, the track feels both classic and new: euphoric piano hooks, driving basslines, and that unmistakable swing that lives between groove and emotion.
After two decades behind the decks, Busteed’s sound is all about connection — warmth you can feel, rhythm that never lets go. “Paradise” opens with commanding drums before unfolding into pure euphoria: the kind of record that captures the pulse of a festival crowd and the intimacy of a late-night dance floor in equal measure.
“‘Paradise’ is about that rush you get when the music takes over, pure energy, hands in the air, feel-good house that lifts you up and leaves you wanting more” says Jason. You can really hear that missions statement throughout the track. Following acclaimed singles like “Dreamscape” and “Slip Away,” he continues to craft house that feels alive, soulful, and joyful. Tracks like this are why he’s consistently rated among Ireland’s best.
Black Sands
Los Angeles-based country act Black Sands, the musical brainchild of songwriter and producer Andrew Balfour, released his new single “Down the Road” featuring Brandon Chase today, and it’s a sweeping collision of cinematic country-pop, Americana storytelling, and anthemic heartland energy. Set to appeal to fans of both country and traditional pop music, “Down the Road” is about chasing freedom, ambition, faith, and connection: the thrill of motion, and the quiet ache that comes with it.
After years spent crafting lush, alt-pop soundscapes, Balfour turns the volume down and gets more vulnerable than ever. Born from loss and reflection, this new chapter of Black Sands trades maximalist production for stripped-back songwriting rooted in honesty and warmth. But, at the end of the day, “Down the Road” is still a very Black Sands-sounding track. He’s taken his sound and reframed it, and the results are stunning.
“I used to build sonic worlds to better understand or outrun my pain,” says Balfour. “Now I’m building something to live in – something that feels like home.” We can definitely sense the homey nature in this track, and cannot wait to see what’s next for this talent.
Peter Lord
Peter Lord has never been afraid of the unknown. The visionary songwriter, producer, and founding member of The Family Stand’s newest album “Songs From The 8th Dimension“, a fearless solo odyssey, landed a few months ago, and we’re still loving it. It’s quite hard to put this album in any individual category or box – which seems intentional, and masterful.
From the man who gave us “Ghetto Heaven” and penned hits for massive stars Paula Abdul, Nicki Minaj, and D’Angelo, this album is a full-blown exercise in music freedom and creativity. “Songs From The 8th Dimension” fuses soul, funk, and rock into something prophetic, poetic, and alluring at every turn. Lord’s built his own galaxy of sound here that’s unlike anything we’ve heard as of late, with every track providing its own character.
If you want to hear a top-tier artist and songwriter at his most creative moments (and his absolute best ones, too), check this out.
Did we miss anyone? Let us know!
The post Magnetic’s Artists to Watch Roundup: Jason Busteed, G-Sinnz, Neurolapse, and More! appeared first on Magnetic Magazine.