EDM Sauce has ficially partnered with Creator Arcade to spread awareness project-based music production courses.
After searching long and hard for the right music education courses, EDM Sauce decided upon Creator Arcade. With support from Red Light Management and Monstercat, Creator Arcade already has courses on how Marshmello produced both “Alone” and “Summer.”
Be on the lookout for the following courses: Slushii's “LUV U NEED U,” Southside, Borgore, Getter, Ookay, and Ghastly. Read the interview with Creator Arcade's founder below:
Buy Marshmello's Two Courses for $69 Here (Save 58%)
An interview with Founder/CEO Brock Luker
What's your background in the music industry?
My background is in business and computer science so I fell into the music industry by chance. My first company Engodo, which was a social analytics company did a ton brand partnerships with musicians. We ended up doing this huge branding campaign with Reebok and Waka Flocka Flame prior to Ultra Music Festival Miami in 2014. Waka and I became friends and he invited me to Miami to experience Ultra firsthand and he started introducing me to everyone backstage and that became my first real exposure to the music industry. I was fascinated by the energy and the hustle and I just fell in love with it. Later that year, Engodo was acquired by a company called ZEFR in Venice Beach in California and I became their VP Product Development and spearheaded the rights management program from independent artists on Youtube as well as lead the strategic investment into Th3rdbrainâs first accelerator program.
How did the idea for Creator Arcade come about?
My favorite question to ask anyone is, âHow did you become who you are?â Itâs a great question because it forces people reverse engineer their journey. We asked quite a few producers this question and it became very apparent that many learned Youtube and brute force and it took a long time before they actually created their first full tracks. It occurred to me that it would be cool if you could follow along as a DJ/producer recreated their most popular tracks. We coined this term âproject-based learningâ and the idea is if you recreate a song step by step from the ground-up then you would learn the tools, techniques and frameworks used by some the worldâs most popular DJâs. The goal is to make music more approachable for beginners while still allowing intermediate to advanced producers pick up a few tricks as well.
Tell me about the process working with these producers, such as Marshmello?
Each artist has their own idiosyncrasies when theyâre developing a track. Mello has the uncanny ability to create music that people want to listen to – his empathy for the listener is incredible. He is all business in the studio. He doesnât allow any distractions and he comes to work. I was fortunate enough to be in the studio for the development Silence featuring Khalid and watching those two in the studio was magic. Mello would play the track, Khalid would listen to the beat and write the lyrics in his phone right there then hop in the booth and belt it out. That entire song was created in under 3 hours and it has 300M+ streams on Spotify. Another interesting thing he does is work on multiple tracks at the same time. For instance, he may create a loop or hear something in a song that he knows would sound better in a different record and heâll open that other record up drop the loop or sample in quickly and jump back to the previous record without missing a beat. He knows his tracks so intimately that he can do things like that. Working with these guys has been extremely rewarding but it has been extremely difficult at times because their touring schedules. Knowing that their schedules create bottlenecks for production, it becomes increasingly challenging to develop the curriculum because they donât have the time to sit down and develop it in all at once. It usually happens over the span a few weeks and months, where we make small iterations to improve the quality the courses.
Can you tell us something interesting about Marshmello and other producers you've worked with?
Itâs unreal how hard they work. Mello would land in LA from touring in Asia and then we would fly to Vegas and as soon as we land heâs jumping in the studio at the Wynn and is producing right up until his set at Encore Beach Club. After his set heâs jumping right back in the studio to create more music. Any successful producer that I have been around, be it Ookay, Slushii or Southside – they are constantly working. When I was touring with Waka, Southside from 808Mafia would travel with us and he would make beats non-stop for 14 to 18 hours a day. I have never seen anything like it. Everyone would be in the hotel room partying after a show and Southside would be on the couch with his headphones on making beats all night long. His work ethic is insane. Itâs not by chance that these guys get to where they are. Theyâre putting in the time day in and day out.
What insights can you tell us about production?
Itâs scientific in many ways – there is so much experimentation involved. Artists are always trying to push the boundaries what is possible and each track it like its own little invention. Some things work and some things donât but Iâve observed that the best producers are always creating, iterating and learning.
The best way to get good at anything is by doing it again and again. Everyone wants some type secret and the truth is there arenât any secrets just hard work.
Iâm reminded the Kanye lyric, âLock yourself in a room doing 5 beats a day for 3 summersâ¦â – if there is a secret then that is it.
Any advice for aspiring producers?
A couple things; Donât let your ego get in the way, make the music that you have the most fun creating and make a lot it. Chances are there will be people who will enjoy listening to it.
Second – use all the tools that are available to you to speed up your production process. Unless youâre Calvin Harris and you can sit in your studio all day creating new sounds then it makes the most sense to speed up your production process through the utilization tools like Nexus and other plugins. Once again donât let your ego get in the way because some say that isnât pure production. Itâs like saying you should build your own server because using Amazon Web Services is cheating. Itâs naive and itâs plain dumb – use all the tools, samples, presets, plugins and tech available to you so you can to speed up your production process and make more music. The more you make the greater chance you have to make a hit.
And one more thing – a good rule thumb is if you canât hum it then its not gunna be a hit.
What's to happen with the future Creator Arcade?
Weâre taking a very pragmatic and experimental approach with Creator Arcade.
Weâve had some setbacks with a couple courses because issues out our control. But, right now we have two Marshmello classes (Alone and Summer) and Slushii and Ookay Thief class will be released in the next couple months. From there, we want to gather as much feedback from our users and learn how we can perfect the class structure.
Weâve been beta-testing a mentorship program where producers can have one on one sessions with pressionals and get live feedback on their tracks and weâre also looking to expand our learning tutorials to include mini-courses that focus on teaching a particular technique a specific song.
Itâs still early days so the best we can do is listen intently to the producer community and build according to their needs.
How can people learn more about Creator Arcade?
Feel free to reach out to me on Instagram @brockluker, Twitter @brock_luker and Iâd love to engage with anyone who has questions.
View more about Creator Arcade and EDM Sauce's music production classes here.